Reddit’s r/Fantasy is hosting Virtual Con events, and despite having given the site many side-eyes in the past I’m going to pop in on Thursday, March 26. Atthis Arts will be doing an AMA, and I’ll be there in my capacity as a contributor to Community of Magic Pens and out of curiosity to hear what they’re up to with other projects. If this sounds like your sort of thing, please do swing by and say hello.
Eighteen: Stories of Mischief and Mayhem is now officially available, in trade paperback and ebook formats, from the usual bookseller suspects. (The publisher’s page has links.) The book includes my story “Like Gold Upon Her Tongue.” I spent part of the afternoon curled up reading and enjoying other people’s stories, so if you are in the mood for something dark and strange I encourage you to check it out.
Events have been canceled, but there is also transformation. In lieu of reading at the launch party, Wendy N. Wagner uploaded a recorded reading from the bumper sticker-inspired “When Only Bears Carry Arms, Only Weapons Will Be Born.” Instead of hosting an author event, A Good Book is offering the first volume, XIII, for free to people who buy XVIII. (And yes, I am switching between Roman numerals and writing out the number. For a book filled with stories that play with reality and perception, a mercurial title seems appropriate.)
Due to the pandemic, the book launch does not look much like originally planned. Aside from the sensible cancellation of events, it feels very strange to be promoting anything right now. (This particular conundrum must be especially tough for novelists, who have far more riding on the reception of their book than any individual author in an anthology, and the publishers and booksellers with their notoriously low margins.) But people need stories—all different kinds of stories—throughout their lives, and particularly during times of stress. So please consider this promotion a bit less “ooh ooh pick me” and more “hey, this is a thing that’s out in the world, maybe you’ll like it, or know someone else who might.”
Eighteen: Stories of Mischief and Mayhem is available for preorder in electronic and paper formats. Visit your favored vendor of multi-genre anthologies, or check out the publisher’s page for links to retailers.
Anyone who lives in the Pacific Northwest (I do not) may also have interest in the official book release party at the Rose City Book Pub in Portland, OR at 7:30 on March 20th. There will also be an Underland presence at the Author Swizzle hosted by A Good Book in Sumner, WA, on March 21st.
It’s time for updates on Community of Magic Pens, edited by E.D.E. Bell, coming in May from Atthis Arts (and available for preorder now). The cover art was revealed, in a low-key fashion, on Twitter. It’s by Journey, a young Detroit-based artist. (She also produced artwork for the Kickstarter campaign.) It’s happy and charming and cartoonish in all the right ways.
My story about cubicle life will share a table of contents with work by Z. Ahmad, J. S. Bailey, E.D.E. Bell, Gustavo Bondoni, Kella Campbell, Minerva Cerridwen, ZZ Claybourne, M. R. DeLuca, Anthony W. Eichenlaub, Joy Givens, Beth Goder, Ethan Hedman, Andrew K Hoe, Victoria Hollis, Stella B. James, M. Kaur, Ava Kelly, Robert Kingett, Adam Kissel, N.R. Lambert, Nicole J. LeBoeuf, Gerri Leen, Lawrence Miller, Avery Montavon, Ether Nepenthes, Lena Ng, Robert Perez, Mikko Rauhala, Rai Rocca, Jennifer Lee Rossman, Lorraine Schein, Holly Schofield, Elizabeth Shaffer, Jannae’ Sifontes, K. Alysee Simon, D.A. Xiaolin Spires, Tlotlo Tsamaase, Vijay Varman, and Dawn Vogel.
I’m very pleased to announce that my short story “Shared Space” will appear in Community of Magic Pens. I think the anthology’s going to be a lot of fun (I backed it on Kickstarter before submissions opened). It’s available for preorder now, with publication expected in May.
Daily Science Fiction‘s featured story for today is “Kill Switch.” Check it out if you’re in the mood for a flash tale of biotechnology, professionalism, and evil.
I made my first sale to a pro market this week. I am incredibly pleased.
Obviously, money doesn’t equal quality, “pro rates” are still laughably low, etc., etc. But what I write is largely recognizable as belonging to commercial genres, and well-resourced publications attract talent. Making it to the second round of consideration in pro magazines I enjoy was a nice ego-boost last year. Clearing that final hurdle is an even bigger one.
My short story “Changeling” will be published in Corvid Queen next August. I have a soft spot for folklore, count myself a feminist, and think corvids are pretty cool, so I’m pleased a story has settled here.
I’m very pleased to announce that my story “Like Gold Upon Her Tongue” will appear in the anthology Eighteen (XVIII), edited by Mark Teppo and scheduled for publication by Underland Press in March 2020.
The book is part of the Underland Tarot series and promises stories of mischief and mayhem. The anthologies draw their themes from the Major Arcana; the eighteenth card is the Moon. The cover (which I adore) is an in-house Underland design based on a concept by Jennifer Tough. (She did the also-striking artwork for XIII, the first in the series, taking the Death card as its theme.)
I’ll be sharing the table of contents with Forrest Aguirre, Darin Bradley, Christopher East, Scott Edelman, Nicole Feldringer, Benjamin Gamblin, Ingrid Garcia, Emma Johnson-Rivard, Elizabeth Eve King, Jessie Kwak, Shannon Lawrence, Gerri Leen, Mark Mills, Jonathan Mosman, Christi Nogle, Tammie Painter, Josh Rountree, Erica Sage, Lorraine Schein, Richard Thomas, Wendy Wagner, John Waterfall, and Todd Zack. I’m looking forward to see how they play with the anthology’s theme.
I am quite fond of autumn. I like the cooler weather—jeans-and-tee-shirt weather, light jacket weather, cardigan or sweatshirt weather. Today, however, it made it up to 90° (or so close as to make no difference). Following last Friday’s Climate Strike, today’s heat fills me with the impulse to despair and/or (metaphorically) burn something down.
The leaves aren’t turning yet. That’s an October thing, though the number of crunchable leaves on the ground has increased. In lieu of brilliant foliage, I instead give you a picture from the final days of summer: Canada geese in flight at twilight. The blurring almost manages to look artistic, rather than an artifact of a poorly-lit motion shot taken with a years-old smartphone.