This month, Underland Press released Underland Arcana: Deck Two, collecting the Underland Arcana stories from the past year. “Bones Placed in Apposition” is among them.
I am very pleased to have this dapper hammerhead sitting on my bookshelf. If you would also like this dapper hammerhead sitting on your bookshelf or swimming on your e-reader, copies can be acquired from the publisher and a range of retailers.
The Dire Dark is out today, the latest in Shacklebound’s series of flash fiction anthologies. My story about werewolves in a military company is what happens when you start a story too soon, then decide that the opening bit works just fine as a little standalone (and are lucky to find an editor who agrees). You can buy the book from the publisher or Amazon.
I have a little tale of addiction recovery or living with a disability in Martian Issue 6. (One of the fun things about drabbles is that they’re so short they really highlight how the reader is an active participant in creating the story. There’s just not space to spell everything out.) You can buy the ebook from Amazon or, if you’d rather read online, check out the website on November 21st.
Last week, ParSec released Issue 4. Individual issues and subscriptions are for sale from PS Publishing. I’m very pleased that my short story, “The Relative Positions of Dead Things in the Dark,” is part of the lineup.
The main character’s first published appearance was in Wyld Flash a couple years ago; we’ll see if I can pry some additional stories off the hard drive. (It’s…been a bit of a year.)
My short story “Bones Placed in Apposition” is available in the Summer issue of Underland Arcana. It’s free to read online, or you can buy it as an ebook or softcover. Issue 7 also includes stories by Scott Edelman, W. T. Paterson, Ben Curl, Mike Robinson, Eric Witchey, D. Thea Baldrick, and Mattia Ravasi.
Some years ago I spent a fair amount of time with the correspondence of nineteenth century scientists. Among them was Isaac Hays, an ophthalmologist who also had a strong interest in natural science, including the study of fossils. (This was not an uncommon hobby among a group of Philadelphia physicians categorized as “extremely quarrelsome” by scholar Keith Thomson.) Hays and G. W. Featherstonehaugh, an English geologist, found themselves on opposite sides of an argument about the classification of one particular set of fossils. Battles were fought in papers and lecture halls, late friends were defended and honor assailed.
If you appreciate passive-aggressive sniping—or, for that matter, aggressive sniping—then I really do recommend perusing the primary sources. I obviously find the entire controversy delightful; and, more seriously, it serves to illustrate some of the practical and philosophical issues involved with scientific study in the United States, as well as the country’s negotiation of its relationship with Europe. Nationalism intertwined with the interpretation of the past, invented species roaming a prehistorical landscape. The small fantastical aspect of my story is less a feat of imagination than conjuring an elephant from a few shards of bone.
Today you can pick up a copy of Dread Space, an anthology of flash length dark military science fiction stories. My story “Used Armor Smell,” about armor more rugged than its wearer, is included.
When choosing pronouns for nonbinary characters in the past, I’ve defaulted to they/them. It’s a somewhat lazy decision: most nonbinary folks I know use they/them, and as a reader and writer I find they/them more transparent than other sets of pronouns. But in this case, I decided to use Spivak pronouns. Partially, it’s about variety in my writing; on general principles, I should be employing different pronoun sets (including this one, which has been in use for decades). But here, it also serves the story.
My point-of-view character’s gender is completely irrelevant. However, this was a case where I specifically wanted to avoid “they.” Yes, singular they is in widespread use and has a long history as part of the English language. But sentient machines are common in science fiction, as is the merging of human and machine consciousnesses. I quite enjoy those explorations of sentience, but in this case I wanted to make it very explicit that the human is a human and the machine is a machine, a tool of humans, not an artificial intelligence.
My short tale of grief, climate change, and selkies is live on the Wyldblood website. I’ve always liked the idea of a selkie (or similar fae creature) hitting the spousal jackpot; but it’s hard to be completely optimistic in the current (literal and figurative) climate.
Not a joke! The fourth issue of Martian: A Magazine of Science Fiction Drabbles is available from Amazon. This is the first chronological appearance of my 100 word story “Tethered, In Darkness,” which will also be in the annual anthology and on the Martian website in May.
I’m a big fan of the cover images chosen by editor Eric Fomley—to say nothing of the stories within. It makes for a very slick package I’m pleased to join.