Award eligibility post

It’s that time of year again. Like so many other authors, I’d like to present a rundown of work that came out in 2021. If you are nominating for the Hugo, Astounding, Nebula, Stoker, Locus, or any of the other awards out there, I’d appreciate your consideration. For purposes of awards restricted by geography, national citizenship, etc., I’m in the United States, specifically Pennsylvania.

Astounding Award: I’m in my second (and final) year of eligibility for this Not-A-Hugo award for new writers. Like the Hugos, it’s voted on by members of Worldcons 79, 80, and 81 (aka DisCon II, Chicon 8, and a con/location to be decided in December). My eligibility clock started in 2020 with my first short story publication at professional rates. (Eligibility requirements can be a bit hard to determine from the outside, as they involve factors like pay rates, print runs, net income, etc. The Astounding Award website lists some of the eligible authors.)

“Always an After” (approx. 3,250 words) appears in In Somnio: A Collection of Modern Gothic Horror, edited by Alex Woodroe and published by Tenebrous Press. The anthology is available as an ebook or paperback from Amazon, Godless, and Tenebrous. (You can also watch me read the opening of the story in this video.)

“Now and Then and Back Again: A Play of Three Acts” (approx. 2,200 words) appears in The Chorochronos Archives, edited by Jessica Augustsson and published by JayHenge Publishing. The anthology is available as an ebook, paperback, or hardcover from Amazon, Bookshop, and other retailers.

“Wayfinding” (approx. 1,800 words) appears in Underland Arcana 4 (Fall 2021), edited by Mark Teppo, and is free to read online.

“Family Dinner” (approx. 200 words) appears in Underland Arcana 3 (Summer 2021), edited by Mark Teppo, and is free to read online.

“Honey and Apples” (100 words) appears in Martian: The Magazine of Science Fiction Drabbles, edited by Eric Fomley, and is free to read online.

Audio: I also had two stories included in podcasts. “Coffin Bell” was part of The NoSleep Podcast‘s Suddenly Shocking Vol. 13, available to season pass holders. CB Droege’s reading of “Kill Switch” for Manawaker Studio’s Flash Fiction Podcast is available for free online. (Note that while the audio performances are new, the text of both stories was previously published. “Coffin Bell” was published in 2019 on the Patreon site I scrapped. “Kill Switch” originally appeared in Daily Science Fiction in 2020.)

And that was my 2021 output. Whether you end up liking my stuff or preferring other folks’ work, I wish you happy reading and nominating!

The obligatory awards post

As 2020 slouches toward its end, authors pause their doomscrolling and conscientiously abandon their works in progress for a few moments (note: this is career-related, and therefore absolutely entirely nothing at all like procrastination). They assemble links, quash their self-consciousness, and hurl self-promoting posts into the aether before diving under a blanket.

It just so happens that several of my short stories have been published this year, so I too shall participate in this hallowed tradition. This is my list of 2020 stories, in order of longest to shortest:

“5:37” (~2,700 words) is a story about memory, professional practice, and a haunted VHS tape. The (fantasy? humor? horror?) story appears in the August issue of Translunar Travelers Lounge, edited by Bennett North and Aimee Ogden. It’s free to read online, or you can purchase an ebook and support the magazine. Charles Payseur has some kind words for the story (“…poignant, funny, and sharp all at the same time” and “It’s a careful and charming narrative and voice, and it’s a wonderful read!”) in Quick Sip Reviews.

“Like Gold Upon Her Tongue” (~2,600 words) is a story about disordered eating and getting something you didn’t even know you hoped for—at a price. The dark fantasy/horror story is available in the anthology XVIII: Stories of Mischief & Mayhem, edited by Mark Teppo, which can be purchased as a paperback or ebook from the usual retailers. The book deserves some love: aside from the fact that I quite enjoyed the other stories in it, XVIII launched on March 20th, when the proverbial shit was really beginning to hit the equally proverbial fan.

“Shared Space” (~1,750 words) is a story about cubicles, community, and the magic of connection. The gently fantastic story is included in the anthology Community of Magic Pens, edited by E.D.E. Bell, available as a paperback or ebook from the publisher or the usual retailers. This is another anthology that deserves love; it’s relentlessly hopeful, with more than a few gems between its covers.

“Changeling” (~1,500 words) is a story of love, loss, and adoption. This fantasy story is free to read in Corvid Queen, edited by Kay Allen. I like the way this journal takes advantage of its electronic format to offer thoughtful categorization and multiple methods of organization so readers can encounter works via different pathways.

“Digital Pyre” (~1,250 words) is a story of data, memory, and sacrifice in the face of climate catastrophe. This cli-fi/near-future science fiction story is free to read in Little Blue Marble, edited by Katrina Archer. The story will also be included in Little Blue Marble‘s annual anthology (this will be the fourth annual anthology, with proceeds helping to support the magazine).

“Purple Lizard Skin” (~1,000 words) is a short tale set in a hospital waiting room, where technology means almost anything can be repaired—but not necessarily healed. This science fiction story is free to read on the Wyldblood Press website where it was published as part of the weekly Wyld Flash feature, edited by Mark Bilsborough. The series is a good way to spend a few minutes on Fridays.

“Kill Switch” (~600 words) is a story about biotech, professionalization, and evil. This science fiction story is free to read in Daily Science Fiction, edited by Jonathan Laden and Michele Barasso. What can be said about DSF? It’s a long-running magazine that publishes a lot of stories, with a mix of big names and newcomers, and it was a pleasure to see my byline appear here for the first time in January.

Whether or not you choose to nominate or vote for any of my stories, whether or not you’re voting for awards at all, I hope you’ll click on some of these links—in this post or other authors’. There’s a lot of good stuff out this year. Here’s hoping that you find the right story for you, at just the right moment.

ETA: I’m also in the first year of eligibility for the Astounding Award.