Do you want to support a pro-paying market for super-short stories? If so, the first issue of Martian: The Magazine of Science Fiction Drabbles is available for purchase on Amazon. My story “Honey and Apples” is in excellent company.
In Somnio: A Collection of Modern Gothic Horror, with my short story “Always an After,” will be published by Tenebrous Press. The Kickstarter campaign is about to enter its final week.
The anthology is edited by Alex Woodroe and will contain a number of cool illustrations. How many illustrations? That’s still up for debate. The project reached its Kickstarter goal, so now we’re into stretch goal territory. The first stretch goal will add more illustrations (plus a modest bump in author payment). The second stretch goal will add yet more illustrations (plus bookplates for the hardcover), and the third will fund a pair of 2022 novellas.
In an effort to flog the Kickstarter, Alex has published a number of author interviews and readings. My interview is a bit spoilery (so if you care about that and plan to pick up the anthology you may wish to skip it for now). I don’t do a lot with video—I never made that pivot (but did anyone, really?) and I’m not terribly fond of my voice—but I figured if I had a largely empty cabin closet with a bare bulb, it’d be a shame not to make use of it. (Sitting in an upstairs closet with an incandescent bulb in August can get a little warm. Never let it be said that I do not suffer for the promotion of art.)
So if indie presses and “a collection of modern Gothic horror” are your sort of thing, please swing by the Kickstarter and back the project. If you’re reading this after the campaign ends on September 2, check out the Tenebrous website or the bookseller of your choice.
I don’t often write drabbles, but here is one I did write about climate change, Rosh Hashanah, and resilience.
In 2017, I started writing-and-finishing things after a pretty long break (and, a couple years later, started submitting some of them). 2017 was a bad time for politics in the United States, and it just kept getting worse. (No, I did not think it would end with hundreds of thousands of excess pandemic deaths and an armed insurrection. In retrospect, I marvel at my optimism.) With all the talk of inhabiting the darkest timeline, my mind turned to time travel—and futility.
The story accidentally came out in play form (well, “play” or “90s Terry Bisson,” depending on your perspective). I decided I liked it, especially since that made it easy to obscure gender and skip physical descriptions. Depending on the combination of gender identity, presentation, race, accent, etc. of the characters, it reads differently. I felt like I’d accidentally performed a Stupid Author Trick. And now the story has a home, nestled among other time travel tales.
As 2020 slouches toward its end, authors pause their doomscrolling and conscientiously abandon their works in progress for a few moments (note: this is career-related, and therefore absolutely entirely nothing at all like procrastination). They assemble links, quash their self-consciousness, and hurl self-promoting posts into the aether before diving under a blanket.
It just so happens that several of my short stories have been published this year, so I too shall participate in this hallowed tradition. This is my list of 2020 stories, in order of longest to shortest:
“5:37” (~2,700 words) is a story about memory, professional practice, and a haunted VHS tape. The (fantasy? humor? horror?) story appears in the August issue of Translunar Travelers Lounge, edited by Bennett North and Aimee Ogden. It’s free to read online, or you can purchase an ebook and support the magazine. Charles Payseur has some kind words for the story (“…poignant, funny, and sharp all at the same time” and “It’s a careful and charming narrative and voice, and it’s a wonderful read!”) in Quick Sip Reviews.
“Like Gold Upon Her Tongue” (~2,600 words) is a story about disordered eating and getting something you didn’t even know you hoped for—at a price. The dark fantasy/horror story is available in the anthology XVIII: Stories of Mischief & Mayhem, edited by Mark Teppo, which can be purchased as a paperback or ebook from the usual retailers. The book deserves some love: aside from the fact that I quite enjoyed the other stories in it, XVIII launched on March 20th, when the proverbial shit was really beginning to hit the equally proverbial fan.
“Shared Space” (~1,750 words) is a story about cubicles, community, and the magic of connection. The gently fantastic story is included in the anthology Community of Magic Pens, edited by E.D.E. Bell, available as a paperback or ebook from the publisher or the usual retailers. This is another anthology that deserves love; it’s relentlessly hopeful, with more than a few gems between its covers.
“Changeling” (~1,500 words) is a story of love, loss, and adoption. This fantasy story is free to read in Corvid Queen, edited by Kay Allen. I like the way this journal takes advantage of its electronic format to offer thoughtful categorization and multiple methods of organization so readers can encounter works via different pathways.
“Digital Pyre” (~1,250 words) is a story of data, memory, and sacrifice in the face of climate catastrophe. This cli-fi/near-future science fiction story is free to read in Little Blue Marble, edited by Katrina Archer. The story will also be included in Little Blue Marble‘s annual anthology (this will be the fourth annual anthology, with proceeds helping to support the magazine).
“Purple Lizard Skin” (~1,000 words) is a short tale set in a hospital waiting room, where technology means almost anything can be repaired—but not necessarily healed. This science fiction story is free to read on the Wyldblood Press website where it was published as part of the weekly Wyld Flash feature, edited by Mark Bilsborough. The series is a good way to spend a few minutes on Fridays.
“Kill Switch” (~600 words) is a story about biotech, professionalization, and evil. This science fiction story is free to read in Daily Science Fiction, edited by Jonathan Laden and Michele Barasso. What can be said about DSF? It’s a long-running magazine that publishes a lot of stories, with a mix of big names and newcomers, and it was a pleasure to see my byline appear here for the first time in January.
Whether or not you choose to nominate or vote for any of my stories, whether or not you’re voting for awards at all, I hope you’ll click on some of these links—in this post or other authors’. There’s a lot of good stuff out this year. Here’s hoping that you find the right story for you, at just the right moment.
ETA: I’m also in the first year of eligibility for the Astounding Award.